Gender in Disney Movies
July 29th, 2007 by MadelineI just watched a video about portrayals of masculinity in Disney movies.
I had a number of problems with the video. Not because I think that it makes inaccurate statements — I agree, at the very least, that Disney movies almost always privilege certain male body types and make statements about what is “masculine” that usually are about physical prowess and violence (I’m not sure I would agree that modern Disney movies encourage young men to think of women as sources of pleasure or servants, which is the video’s third and weakest point).
Unfortunately, the video chooses some exceedingly poor examples to make its point. It largely seems to rest on the character of Gaston, the hyper-masculinized villain of “Beauty and the Beast.” While Gaston is certainly presented as a “manly man,” he is by nature parodic. No one leaves “Beauty and the Beast” thinking that Gaston is the hero. When they sing about Gaston’s physical size, strength, and abundance of chest hair, the song is purposely ridiculous and over-the-top. His pursuit of Beauty is obviously “boorish, brainless!” — as Belle complains in a song. The Beast, who certainly does not come across as “effeminate” or “un-manly,” has a relationship with Beauty that centers around genuinely healthy and friendly activities: feeding birds, reading books. When the Beast turns into the prince, he is nowhere near as barrel-chested and stereotypical as Gaston.
On the other hand, the video has a point. Even if the prince isn’t as barrel-chested as Gaston, he’s still pretty dang barrel-chested. Although Gaston’s belligerence is bad, the Beast still can’t run from battle: he only comes into his own when he finally fights the bad guy for the girl. To skip to another movie, despite the fact that Mulan successfully pretends to be a boy and completes all the tests of physical prowess necessary, the fact remains that boys are being told that in order to be male, you have to have physical power. If Mulan had failed the tests of her strength, they’d know she was a girl. Even if the scenario empowers young women by telling them that they can do anything a man can do, it still labels the quality of physical strength as “masculine.” And as for falling in love? “Beauty and the Beast” is a rarity in that it allows the protagonists time to get to know each other and perhaps actually forge friendships rather than simply going goo-gah at first sight.
And of course, even these caveats are more complex than my initial analysis allows. The story of “Mulan” requires her to pass physical tests: one could argue that strength is a quality of soldiers, not men. This argument would be stronger if Disney more frequently presented admirable men with different physical appearances and interests. As for “Beauty and the Beast,” Belle also has to prove that she isn’t a coward: perhaps she isn’t forced to physically fight Gaston, but she bravely tries to convince the villagers not to attack the Beast’s castle: speaking to a riled-up mob requires its own type of courage. When the villagers reach the castle, the female servants are portrayed as playing just as large a role in the defense of their home as the men. And let’s not forget that the Beast attempts to convince Gaston not to fight. Only when he’s attacked does he resort to physical violence.
Are there problems with the Disney movies? Sure. They’re racist in varying degrees, certainly white-centric, promote certain body types above others, and are unfailingly hetero. But I don’t think that the situation is quite as dire as the video makes it out to be, or at least, not in the particular examples it cites.
On the topic of fairy tales, though, the best fairy tale you’ve never read: the ballad of Tam Lin. Why have you never read it? Because it’s about an unwed mother standing up to her family’s expectations and setting off on an adventure to save her baby-daddy. No, really. And this is a very old, traditional story — but it’s nearly impossible to Bowlderize, so you’ve probably never heard of it.